ANOTHER YEAR GONE BY

Well you didn't think I'd let the year go out with a whimper did you?....here's one last post!

Happy New Year everybody!

DAN FOGELBERG-SAME AULD LANG SYNE

A-CAROLING WE GO (9)

Merry Christmas To All!

From the sacred to the profane...

BUSTER POINDEXTER-ZAT YOU SANTA CLAUS?

YOU'RE A MEAN ONE, MR. GRINCH

GARY HOEY-AWAY IN A MANGER

(although not necessarily in that order)

A-CAROLING WE GO (8)

This has always been a song I need to hear on Christmas Eve...




ANNIE LENNOX-SILENT NIGHT

A-CAROLING WE GO (7)

TWO FROM RICHARD MARX

CHRISTMAS MORNINGS

CHRISTMAS SPIRIT

A-CAROLING WE GO (6)

QUEEN-THANK GOD IT'S CHRISTMAS

A-CAROLING WE GO (5)

This one never gets old...



BRUCE SPRINGSTEEN

SANTA CLAUS IS COMIN' TO TOWN

A-CAROLING WE GO (4)

I've been a fan of TSO since their beginning, and have been amazed at how popular they have become. 

If you like them, and do not have it, they have a DVD from the early days that is well worth picking up. 

Their non-holiday discs are quite good, too, especially Beethoven's Last Night.

TRANS-SIBERIAN ORCHESTRA

O COME ALL YE FAITHFUL-OH HOLY NIGHT

A-CAROLING WE GO (3)

John Eddie was popular in Philly back in the early eighties, and was one of the major-label signings made in the wake of Bruce Springsteen's Born In The USA mega-stardom.

He's stayed active, releasing discs on his own, and while they lean country, I still enjoy his songwriting.

JOHN EDDIE-ANOTHER LONELY CHRISTMAS

A-CAROLING WE GO (2)

This one is a little cheesy...but I like Styx, so you're kind of stuck with it...

STYX ALL I WANT FOR CHRISTMAS

There was a live version out there, so I thought I'd include it...

A-CAROLING WE GO (1)

Since I already had my Todd schtik going and could not do Christmas tunes in the Battle Of The Bands posts...

...and since I'm too lazy to actually come up with new material...

I thought I'd spend the days leading up to Christmas sharing some Christmas tunes with you, albeit done in a less traditional style than you may be accustomed to.


GARY HOEY-THE TWELVE DAYS OF CHRISTMAS

(and a live version from his new DVD)

BOTB: IT WOULDN'T HAVE MADE ANY DIFFERENCE

The five bloggers below are co-sponsoring a blog event on the first and fifteenth of each month. 

Far Away Eyes

Stephen T. McCarthy

Arlee Bird

Alex J. Cavanaugh 

Robin (Your Daily Dose) 


I have been a stowaway on their journey, at least until I run out of covers of Todd Rundgren songs.

For today's post, I am back to what should be more familiar territory, with another tune from what is often considered Todd's opus, Something/Anything?.

"It Wouldn't Have Made Any Difference" was the second track on the Something/Anything? album, although it was not released as a single. It was a catchy ballad that has remained a concert staple over the years, and was even covered by Rundgren himself on his bossa-nova album With A Twist.

 The song is another nod to 1960's pop songs. The song would later be covered by Alison Kraus on her album Forget About It.

 

TODD RUNDGREN-
IT WOULDN'T HAVE MADE ANY DIFFERENCE

ALISON KRAUSS-
IT WOULDN'T HAVE MADE ANY DIFFERENCE

So which version do you like better?

ROASTED BIRD

Today is the day Arlee Bird gets roasted as this year's Cheersfest victim...er...honoree.

On his main blog, “Tossing It Out,” Lee describes himself, in part, “as a writer, speaker, entertainer, music lover, collector, husband, father, grandfather, friend, traveler, seeker of truth and wisdom.”

It is a little known fact that the first prescription issued on Venice Beach for medicinal marijuana was given to Arlee Bird.

He majored in alternative uses for pipes...um..herbal studies...er, that is,  English while at the University of Tennessee.

Arlee has blogged since 2008, and currently has six blogs that delve into his diabolical...er...um...diverse mind.

Come on-you've read his blog about dreams-this guy is further out there than Cheech and Chong!

Why do you think he lives in California and goes to a pharmacy on Venice Beach?

I kid Lee, of course. Lee has the unfortunante (for him) distinction of being the only person in the blog world I've met face-to-face (besides Stephen T. McCarthy, and that doesn't really count since I'd known him for a decade prior to blogging).

So enough with my introduction. There were some assignments for this post, so let's get to them.

Why did Lee come up with the A-Z Challenge?

Were you not paying attention earlier when I made my Cheech and Chong joke?

Obviously because he’d smoked some ganja and looked at a calendar.

How else would you come to the conclusion that if you discounted Sundays, April would have the same number of days as letters of the alphabet?

If someone dreams about being a juggler, what does it mean?

With six blogs, I think we are seeing the living embodiment of what it means.

In fact, with six blogs, I think Mr. Bird may need to seek out a support group.

"Hello,my name is Arlee, and I am a blogaholic."

The first step is admitting you have a problem...

Is a post by Mr. Bird worth two in the bush?

That’s just silly-how would you get two posts in the bush in

the first place?

A better question to ask is, what was he smoking before that last post and where can I get some?

Who could play Lee in a documentary? (Living or dead.)

If I were casting the Lee in the juggling picture, I am thinking Rob Reiner back in the All In The Family days.

In +/- 100 words, (excluding the title) write flash fiction using

all these prompts:

The chainsaw juggler took off his brown jacket and readied

himself for his act.

A crowd had started to gather on the Venice Beach

promenade.

He grinned as he started up the power tools, enjoying the

challenge that this provided-anyone could juggle balls

safely, but one false move with a chainsaw and you’d be

called Lefty for the rest of your days.

Tossing the chainsaws in the air, he began to manipulate the heavy objects to keep all three in the air while the onlookers dropped change and small bills into the bucket he’d set out.

At one point, a seagull swooped down, one of the chainsaws narrowly missing the bird.

He smiled to himself-today was looking like a profitable day.

It came to 123-I was too lazy to edit it down

In +/- 40 words, can you come up with a caption for Lee’s Facebook picture?

Arch-why must you always call me Meathead?

  

Lee-here' to ya, my friend! Sorry about all the stoner jokes....but it is a roast!

IT'S BEEN SUCH A LONG TIME

BOSTON-

LIFE LOVE & HOPE

On Boston's first album in 11 years, and the first since the tragic death of legendary vocalist Brad Delp in 2007, the band sticks with its tried-and-true sound, one that has come to nearly define the classic rock genre.

Or, said another way, if it ain't broke, don't fix it.

From the first time the world heard "More Than a Feeling" in the 1970s, Boston burned its way into rock's DNA with an identifiable sound: layer upon layer of angry guitars, harmonic solos and angelic vocals backing Delp, who could hit notes only dogs could hear.

There are three tracks on the album that feature the late Delp’s vocals. The unreleased song, "Sail Away," is about the government's response to Hurricane Katrina (it HAS been a long time between albums, right?), while the two others ("Someone" and "Didn't Mean to Fall in Love") appeared on the band's Corporate America album, but Scholz was never really happy with them and has rebuilt them from top to bottom while keeping the original Delp vocals.

Or, said another way, Scholz was unable to come up with an album full of new material in more than a decade.

"Heaven on Earth," with David Victor singing lead could be a hit single, if all the Boston fans who were "Smokin'" in the '70s remain loyal to a group who helped define what rock 'n' roll sounded like for many years.

Sadly, that audience is probably in the early stages of dementia and may not remember the band.

Other songs don't fare as well, including "If You Were in Love" with Kimberley Dahme's vocals coming off as nothing-special, and Tom’s turn on lead vocals not even passing that bar. 

Vocals by Tommy DeCarlo, the Delp sound-alike found on You Tube, are not bad, but the songwriting does not approach that of the first three Boston albums.

When you consider that there are three re-records and one short instrumental, you’re left with seven new songs in eleven years. 

And only one is good enough to be lined up against that first album.

I would think with that much time on his hands, Scholz would have outdone the first album.

I like the album, don't get me wrong-the songs are ok, the performances good and the production slick (a little overdone, but that's Tom's production style). I'm just not sure that this is an album for everyone-it's a lot closer to the last two albums than the first three.

Overall, worth checking out for die-hard fans. Nostalgic fans looking to revisit the stellar debut may want to just break that one out of mothballs.

HEAVEN ON EARTH

IF YOU WERE IN LOVE

BOTB: LUCKY GUY

The five bloggers below are co-sponsoring a blog event on the first and fifteenth of each month. 

Far Away Eyes

Stephen T. McCarthy

Arlee Bird

Alex J. Cavanaugh 

Robin (Your Daily Dose) 


I have been participating until stalking their blog, at least until I run out of covers of Todd Rundgren songs.

Anyone reading who thought they were going to listen to some Rod Stewart, gotcha!

This post pits a song from Todd's classic Hermit of Mink Hollow album against a cover of the song by Kim Wilde.

So without further ado...

TODD RUNDGREN-LUCKY GUY

KIM WILDE-LUCKY GUY

NOT DEAD YET

We've been hearing for years that the CD format is dying.

In fact, one of the reasons I started this blog was to review CD's and get people excited about the album format again.

Sadly, while I seem to get respectable hits, the pattern of comments from the same handful of people (even when I tried giving away CD's it did not change) would indicate that I was not very successful in my mission.

Don't get me wrong you faithful who stop by and comment-I appreciate your interest and your words-but I'd hoped to reach a wider audience and have failed at that.

And here we are, coming towards the end of another year, still discussing the viability of the album format.

As Kasim Sulton (Todd Rundgren, Utopia, Meat Load, Joan Jett, Scandal) readies his latest solo effort for release, he has indicated that this will be the last one. Other artists have said similar things, and a simplistic analysis of unit sales would seem to indicate that the album is breathing its last.

Since 2000, album sales have fallen in every year but one (2004) and physical unit sales have gone from 785 million to 194 million. Digital albums have made up some of the losses at 118 million units, but that's still leaving album sales at 60% lower levels than their peak.

But that peak was unrealistic. Album sales are only down 49% from 1994 levels, and only 15% lower than 1975 levels.

Keep in mind that during the CD era, the record labels were selling catalog titles in record numbers alongside new titles as listeners rushed to upgrade their LPs to CD. And the labels exploited that frenzy, with one CD reissue campaign after another (how many copies of Dark Side Of The Moon can one person buy? I can tell you if you really want to know).

But even in this age of iTunes and single-song purchases, 42% of Americans purchased a CD last year, and another 21% purchased a digital album.

And in a very interesting trend, the number of teens who purchased digital albums last year decreased, while teens who purchased physical CD increased (see the graph below).

None of this counts the continuing increase in vinyl LP sales, a trend that is now in its sixth year. In 2012, about 5 million new vinyl LP's were sold.

Add all of this up, I don't know what you get. Even Billboard, the trade magazine, tells the story both ways (the album is doomed, there's still hope).

But it would seem that the rumors of the album format's death are greatly exaggerated.

As you shop this holiday season, why not consider getting someone the gift of an album on CD or vinyl LP?

And while you're at it, why not get one for yourself?

Do you still buy albums? What's the last one you purchased?

MORE THAN A FEELING

I always wondered why it took so long for the band Boston to release albums. The conventional wisdom has always been that Tom Scholz is a perfectionist.

That may be true. On December 3, Boston releases Life Love & Hope, the band’s sixth album of original material in it’s thirty-seven year career, and the first since original lead singer Brad Delp committed suicide in 2007.

Scholz has been involved in a number of lawsuits surrounding Delp's death, having sued the Boston Herald over coverage of Delp's death (claiming emotional distress), and also suing Delp's former wife, Micki, claiming that she defamed him in statements that she made after Delp's death (a Superior court judge dismissed those claims).

Scholz has also been embroiled in several lawsuits with former band members regarding trademark violations on the band name Boston.

A lawsuit against Fran Cosmo and his son Anthony was decided in August 2013 when federal judge James Robart rejected Scholz's efforts to bar the Cosmos from referring to themselves as "former members" of the band.

Judge Robart also blocked an injunction request put forth by Scholz seeking to dictate how the Cosmos could refer to their past band affiliation.

A more recent lawsuit seeking to bar former Boston member Barry Goudreau from referencing his former band affiliation has yet to be determined. It is at least the third such lawsuit against Goudreau put forth by Scholz.

With all of his court appearances, it is no wonder that the first new album in eleven years only contains eleven songs, two of which are re-recorded versions of songs on the last record.

 

Scholz was also critical of the label’s handling of his last effort, 2002’s Corporate America. The album did place at #42 on Billboard’s top 200 album chart, which is pretty surprising since it was also light on new material (nine songs plus a live version of a song from the prior studio album, 1994's Walk On.

Considering Boston’s last true blockbuster release was in 1986, and considering what rock music did in the 90’s, Scholz should be amazed by a #7 peak for Walk On and a #42 peak for Corporate America.

With eight year sabbaticals between each album, a music industry that had gone from grunge to country and rap, a fan base that was rapidly approaching (in 1994) and then cresting (in 2002) middle-age, and albums that were light on new material, the fact that he sold any copies at all is astonishing.

Don’t get me wrong-I liked both of these albums, but most people my age are not waiting for the record store doors to open each Tuesday-and they weren’t in 1994 or 2002 either.

When rock artists fail to accept that as their audience ages, they seem to need to spend their income on diapers, school books, etc, instead of records, I am always amused.

Especially in recent years, where digital sales make up such a huge portion of the industry, I think artists like Boston have their best bet on album sales at their merchandise tables at shows. Fans are not going to go to a record store, nor will they likely think to download the album the day after the show. But get the new release in front of them while they’re walking out, and you have a pretty good chance of selling them a copy.

I was at a show last night with three 1970’s bands-no merchandise table. Their loss.

I hope the new Boston album sells-I preordered my copy. But Tom Scholz needs to accept the fact that it is no longer 1976.

 

And if he needs any proof, he should just look at this picture, and see if he can find anyone today wearing those clothes or hairstyles!
 

BOSTON-HEAVEN & EARTH

TODD AND FRIENDS

TODD RUNDGREN, JOE JACKSON AND ETHEL

WHILE MY GUITAR GENTLY WEEPS

TODD'S JOHNSON: A SECOND LOOK

Esoteric Antenna appear to be living up to their promise to release material from Todd Rundgren's archives, following the abandoned Utopia Disco Jets album and a live Nearly Human concert (Live At The Warfield) with this eagerly awaited live CD and DVD set that captures highlights of Todd's US tour that followed the release of his album of songs written by the legendary blues musician Robert Johnson,

The band was comprised of Todd Rundgren (guitar, vocals), Jesse Gress (guitar), Kasim Sulton (bass) and Prairie Prince (drums).  

In addition to classic Robert Johnson songs, the band also performed classic material from his back catalogue including 'Black Maria', 'Soul Brother', 'Open My Eyes', 'I Went to the Mirror', 'I Saw the Light' and 'Boogies (Hamburger Hell)', making for a memorable live experience captured wonderfully in this set.

The DVD in the set is region free and in NTSC format and can be played in any country. ""Todd Rundgren's Johnson Live"" is packaged in a deluxe digi pack format with a lavishly illustrated booklet.

Coming December 3-just in time for the holidays!

1. DUST MY BROOM

2. STOP BREAKING DOWN

3. KIDDIE BOY

4. SOUL BROTHER

5. KINDHEARTED WOMAN BLUES

6. BLEEDING

7. BLACK MARIA

8. LAST FAIR DEAL GONE DOWN

9. LOVE IN VAIN

10. OPEN MY EYES

11. SWEET HOME CHICAGO

12. UNLOVED CHILDREN

13. I WENT TO THE MIRROR

14. COME ON IN MY KITCHEN

15. HELLHOUND ON MY TRAIL

16. WEAKNESS

17. TRAVELLING RIVERSIDE BLUES

18. CROSSROADS BLUES

19. I SAW THE LIGHT

20. BOOGIES (HAMBURGER HELL)

BOTB: MATED

The five bloggers below are co-sponsoring a blog event on the first and fifteenth of each month. 

Far Away Eyes

Stephen T. McCarthy

Arlee Bird

Alex J. Cavanaugh 

Robin (Your Daily Dose) 


I have been hitching a ride on their bandwagon, at least until I run out of covers of Todd Rundgren songs.

This one is probably going to be a "new" song to most regular readers.

By 1985, tensions in the band were driving Utopia apart, although the P.O.V. album and subsequent co-headlining tour with The Tubes would prove to be a fan favorite, as well as the bands' swan song.

"Mated" was released as a single that (big surprise) did not generate much airplay, although it would remain a staple of Rundgren's concerts for the next few decades.

In fact, I was unable to find a studio version of the song, so I am posting a live version from the Nearly Human tour.

TODD RUNDGREN-MATED (Live Version)

British singer Jaki Graham scored a top 20 UK single, in a duet with David Grant on the song later that year.


DAVID GRANT AND JAKI GRAHAM-MATED

You can probably guess my vote-who gets yours?

JUST ANOTHER BRICK IN THE WALL

From Rolling Stone Online

Roger Waters wrapped up his three-year Wall tour in September, and since then he's turned his attention toward his first rock album since 1992's Amused to Death. 

"I finished a demo of it last night," he tells Rolling Stone. "It's 55 minutes long. It's songs and theater as well. I don't want to give too much away, but it's couched as a radio play. It has characters who speak to each other, and it's a quest. It's about an old man and a young child trying to figure out why they are killing the children."

Waters is not sure if he'll support the disc with a tour. 

"I'm suffering a little bit of withdrawal after ending the Wall tour," he says. "It's sort of a relief to not have to go out and do that every night, but they're such a great team. There were 180 of us together everyday. That piece was very moving every night."

The massive show was staged 219 times at stadiums and arenas all over the globe, grossing upwards of $458,000,000. 

"I can't top that tour," Waters says. "First of all, you have to accept the fact that I'm not going to live forever. I'm 70 years old. You just have to accept that when you do something as enormous as that tour. The hardest thing in the world is thinking of something to do, so going and doing it is a reward in itself."

The memory of the tour still brings a big smile to his face. 

"I found that the loudest fans in the world are in Istanbul," he says. 

"I remember standing there with the band during 'Hey You.' We were behind the wall, so nobody could see us playing. We started looking at each other going, 'What is that sound?' When they sang 'Don't give in without a fight,' you could feel it. It was like the roof was coming off, even though there was no roof. It was amazing."

With that in mind, he refuses to rule out the possibility of reviving The Wall tour at some point in the future. 

"I'm not thinking about that right now," he says. "But that's not to say I won't. I think there's an audience there. We did do 219 shows, which is a lot." 

HEY YOU (live in Istanbul, 2013)

REALITY TV KILLED THE VIDEO STAR?

I love everything about this video.

 

 

It's a nice catchy pop tune, the imagery is wonderfully done (note the details by decade), heck the lead singer (Laurie Balthrop) is even a cutie-check out her little wink at the end!

 

 

Reality TV may have mortally wounded the Video Star, but they're not dead yet!

 

 

 

 

DEAR GEORGIANA

"WANNA BE IN LOVE"

 

 

http://deargeorgiana.com/

BOTB: LOVE IS THE ANSWER

Here I am (one more time) with a rogue entry in the Battle Of The Bands blog-hop!

The five bloggers below are co-sponsoring a blog event on the first and fifteenth of each month. Since I appear to have no original ideas of my own and even less shame, I have been hitching a ride on their bandwagon! 

Far Away Eyes

Stephen T. McCarthy

Arlee Bird

Alex J. Cavanaugh 

Robin (Your Daily Dose) 

Once again, I am listing a Todd Rundgren song as my entry.

Many of you will not know that "Love Is the Answer" was written by Todd Rundgren for his band Utopia (closing track on their album Oops! Wrong Planet).

England Dan and John Ford Coley reached number ten on the Billboard Hot 100 chart in 1979 with their cover, and that’s the version most readers will know.  

Coley was quoted as saying: "Of all the songs we released as singles, that was my favorite. The song first of all had a classical base, and the middle had a gospel section which I loved."

The song has been covered by several times by Christian artists (Sheila Walsh, Bill Cantos, Cindy Morgan, Bob Carlisle and Bryan Duncan), and Filipino singer Gary V. also covered the song on his 2001 album, Revive.

The song remains a staple in Rundgren’s live shows.

So without further ado...here is the original Utopia version

And second....the England Dan/John Ford Coley cover...

What do you think?

 

BACK TO THE BEEHIVE

Last night, at the Musical Instrument Museum in Phoenix, Ronnie Spector performed her career retrospective, a live musical documentary, Behind The Beehive.

As recounted by Ronnie, when The Ronettes teamed up with Phil Spector, and in the early 1960s, they had huge hits with "Be My Baby", "Baby, I Love You", "The Best Part of Breakin' Up, "Do I Love You?" and "Walking in the Rain."

Heck, when they toured England in 1964, The Rolling Stones were THEIR opening act!  

They partied with the Beatles, and Ronnie maintained a friendship with John and George for many years.

As their success faded, and Ronnie’s relationship with Phil Spector turned romantic, Spector’s jealousy grew. After they married, Spector’s paranoid manifested in a threatening control of Ronnie’s life– she wasn’t allowed off their heavily guarded property with shoes, for example.

Ronnie started drinking. She recounted that the only way Phil would let her leave the mansion was for alcohol rehab. ("I loved rehab! It was like breaking free.")  So she found that by continuing to drink, she would get out of the house for extended periods of time. But Phil’s dark side finally prompted Ronnie to literally flee the house without shoes.

Ronnie spoke of her subsequent successes – recording with Bruce Springsteen’s E Street Band, Southside Johnny and Eddie Money a healthy and stable second marriage – as triumphs over that relationship.

Because the spectre of Spector still looms over the Ronettes catalog-Spector refused from prison to grant permission for the use of their biggest hits in the production, songs like "Be My Baby," "Baby I Love You" and "Christmas (Baby Please Come Home)" were not included in the production. Ronnie’s limited access to her hits didn’t prevent her from bringing out a lot of audience favorites that she performed in between her narrative. 

She sang "Time Is on My Side" after recounting the Ronettes’ road adventures with the Rolling Stones. (Spector does a very good Keith Richards imitation.) After that came the Beach Boys’ "Don’t Worry Baby," which Brian Wilson wrote as a follow-up to "Be My Baby;" and, keyed to her finally leaving Phil’s mansion, barefoot, Billy Joel’s "Say Goodbye to Hollywood," which Spector recorded as an E Street Band-backed single in 1977.

After a brief intermission, Ronnie performed a brief concert set, and treated the crowd to “Be My Baby” and Baby I Love You” as part of that set.

Ronnie was amazing-I do not know if she is, in fact, a grandmother, but there were times during the narrative where that’s how she came off. 

While singing some of the earlier material, she still seemed like a shy teenager (albeit a sexy shy teenager), and on a few number she simply radiated sexiness.

Her voice has lost a little range with the years, but the big, yearning tone behind all those "whoa-whoa-whoa" sobs was still in good shape

"Phil Spector wanted to erase me from the public consciousness," the producer's ex-wife, Ronnie Spector, said with righteous indignation.

I am glad he did not succeed.

She was funny and engaging while telling her stories, and captivating to watch sing. If the show comes to your town, I’d recommend it.

Ronnie’s web site offers some of her more recent recorded work, and you can still see some of the earlier albums on Amazon and eBay. 

BE MY BABY

SAY GOODBYE TO HOLLYWOOD

LOVE ON A ROOFTOP

BEST PART OF BREAKIN' UP

DON'T WORRY BABY